Should I write for free?
I’ve noticed a bit of an upsurge in emails asking me if I want to be part of something exciting!, BIG! or fantastic!. These are, invariably, invitations from some massive corporation to provide professional copy for them – for free.
The way this model works is fairly straightforward. The company takes your copy, and that of several dozen other journalists or bloggers, hosts in on ad-heavy sites or syndicates it to larger media organisations and watches the cash roll in.
In exchange it gives you nothing of real value, beyond vague promises of link juice, raising your profile or potentially the odd bone thrown from central office – a DVD or trip.
There’s another model a step above this that promises revenue share – a split of the advertising revenue generated from the page on which your articles sit. This will literally add up to a few pennies a day.
I’m aware of a few services that have contacted me in the past, offering decent copy at under a penny a word. How can anyone make a living out of that?
Likewise, there’s a whole host of subcontinental outfits offering cheap content from skilled writers. The costs from a client side don’t really stack up when you look at everything, but you can bet there’ll be plenty of agencies weighing them up against employing a UK-based hack.

Now, the market and collapse of newspaper and online ad revenues is ultimately to blame for all of this – that’s globalisation for you. Simply put, there are not enough jobs out there for skilled journalists, or snappers for that matter.
But I’m extremely uncomfortable with the way certain companies are taking advantage of this. They are, essentially, using free labour and making money off the back of it. Where to begin with the moral ramifications of that one?
Journalism is a skill without compare in many ways, in that it’s extremely hard to put a value on writing. Most quality stuff rises to the top in journalism but, in the online arms race for more and more content, crap will suffice a lot of the time.
So it’s becoming harder for good writers to stand out in a crowded market. Quite simply, that market isn’t too picky at the moment.
You might provide an article for less than you’d like, but someone else will do it for less. And if they do it for half the amount you would, who’s to say that it’s only half as good? Certainly not the Community Managers scavenging out-of-work journos and bloggers these days for free copy.
I find it hard to blame any journalists who do provide copy for free – that nebulous offers of ‘influence’ and ‘exposure’ may be a valuable one further down the line.
And short of some kind of universal ‘all for one’ stand by writers of every stripe on the planet, refusing to work for free is a rather empty – if noble – gesture, I fear.
To an extent working for free – especially in PR, journalism, advertising – has always been part of the equation, but when companies actively go out soliciting free work from professionals it’s a bridge too far.
What’s to be done? Send a polite but pointed reply turning the offer down?
That’s certainly my choice, but I’m gainfully employed. Who could blame an out-of-work journo or freelance hack for taking a punt?
There is no answer: there’s demand and there’s supply – no amount of wailing or gnashing of teeth is going to do anything about it.
I’m reminded of the Ragged Trousered Philanthropists: the powerless and exploited workforces; the lowering of standards; the compromise of quality for a fast buck.
It’s not edifying, but it’s the economic system we live in. Manual workers have been exploited in the way for decades, centuries even. Now it’s the turn of professionals.
Adrian Chiles ‘ordered to shave beard by BBC’ – Beeb paranoia or PR stunt?
Truly has the world gone mad. What started off as quite an amusing aside relating to the unsightly stubble on Adrian Chiles’ face has turned into something of a media mini-storm, with the news that the Beeb has ordered Chiles to shave off his beard.
Bizarrely, famous beardies such as Noel Edmonds, David Blunkett and Justin Lee Collins have come out the woodwork to support the Brummie workaholic, who fronts The One Show, Match of the Day 2 and The Apprentice: You’re Fired.
What’s not clear is whether all of this is a bit of canny marketing or more evidence of a jittery BBC worrying about upsetting, well, anyone in a post-Sachsgate world.
Exactly what sort of problem sporting a beard poses is not especially clear to me, a beard-wearer for the best part of a decade. Telling a man his face au naturel is unsuitable for the workplace seems dangerously close to me to telling a woman to go home and put some make-up on, unless she wants a disciplinary.
But the fact that Chiles is rumoured to be in poll position to take over Jonathan Ross’ chat show, pretty much the strongest piece of showbiz real estate at the Big British Castle is interesting. It’s a good bit of exposure for Chiles at what could be a fairly crucial point in his career.
Chiles’ reaction to beardgate? “Women and many gay men have told me it looks good, so it’s staying.” Wonder what Christine thinks of it.
Stay or go? Vote in my poll!
Avatar reinvents a genre, and perhaps creates another
Fittingly Avatar seems to have become more of a phenomenon than a film, with a surrounding media clusterfuck/shitstorm depending on where you get your news.
I say fittingly because, as a film, there’s not a huge amount to Avatar. Its narrative and script are a hodge-podge of more influences than I could initially nail down, but there are bits of Aliens, Dances With Wolves, Braveheart, The Emerald Forest, Ferngully and Pocahontos in there.
I don’t think this matters though, the plot is a fairly loose framework that the greatest movie spectacle of all time sits on, and inevitably this overshadows everything else.
I think Avatar is more an experience than a film as such, and the mind-boggling FX combined with 3D make it an experience unlike any other. As such, it’s more immersive than any other film I can think of, and it blurs the boundaries between movie media and gaming more successfully than any video game port.
Its set-up of introducing a human into an alien species via, well, an avatar that looks exactly like the blue animal people of Pandora smacks of a number of gaming set-ups, and the extended section where protagonist Jake learns how to control his avatar and learn the ways of the Na’vi people straight out of a gaming tutorial. Nothing really happens for about 45 minutes, it’s almost sandbox-y. When he’s sufficiently well-versed in the physical and mental demands of his new life, the adventure proper begins.
I suspect this is why Avatar seems to have had such a strange effect on people. There are stories in the press about people feeling suicidal having seen the film, when confronted with the mundanity of their own existence. And there’s an effort to set up a community based on the ways of the Na’vi tribe. People who have seen the film seem to displaying some sort of separation anxiety from the film, its alien people and their beguiling world.
Is this because of the immersive nature of the film and its 3D world? Or is it more about the disconnect between people’s aspirations and their real lives – a form of Marxist alienation made explicit by the themes and style of the film. It’s also tempting to ponder whether Avatar speaks to people on a much more insidious level concerning nature, instinct and id.
Inevitably, Avatar has been labelled variously as patronising, racist and dangerously subversive. It’s easy to understand why, there’s a hefty anti-colonialism anti-capitalist theme running through the film, and though it generally shies away from making associations with specific situations or races explicit there are some clunking lines that make the War on Terror its most obvious target.
Frankly I think most of the criticism of the film is borne of the inherent ideological threat, or stems from the modern bane of movie reviewers – the wannabe-iconoclast (Will Heaven’s witless articles actually display both) as all of the criticism I’ve read fails to land any meaningful blows on these scores.
Beyond that, sure it’s thin on plot and its politics hardly subtle, but as a cinema experience it’s in a league of its own.
I’ve always been a Cameron mark, barring a couple of travesties, because of his ability to transcend genres and redefine them. Aliens and the Terminator films all showed what could be done with a fine nose for pacing, timing and a sense of how to manipulate an audience.
And after what he’s done with Avatar – no film of a similar stripe can ever really be the same again, no Transformers or Terminator rehash can stand up to something like Avatar. The typical Cameron tropes of what makes a successful action film and cutting-edge SFX are present and correct in such a way that Avatar is affecting film-goes in a way never before seen, married to a relevant and pretty subversive message.
So, is Avatar a good film? I’m not sure yet, but it’s an unforgettable and entirely novel experience. Cameron has again reinvented a genre, and perhaps created another one.
What does Adrian Chiles look like?
Adrian Chiles seems be the word on everyone’s lips at the moment, with rumours abounding about his personal life and the MOTD2 and One Show frontman’s extraordinary facial hair pinging around the web.
Personally I like Chiles – even though he’s horribly overexposed and The One Show is beyond critical description – and have done ever since he made business news compelling viewing on Working Lunch about 15 years ago.
But his gingery, unkempt beard seems to have been the final straw for many people, who are busy voicing their displeasure on social networks across the land.
‘Tramp’ is the word that most frequently occurs in relation to the hirsute Chiles, and it’s probably the kindest. As a fellow beard-sporter I sympathise with him.
But as a human being I cannot help but recoil in horror at the reddish monstrosity nesting on his face. To my eyes he looks like an arctic explorer, lost and feral, forced to feed on the blubber from a whale carcass. What do you think?
Here’s some suggestions from around the web (the first three, and among the best, are from mates of mine) as to what the beardy Chiles looks like:
• Come on Chiles, have a shave. You look a mess, man. Far from the intended ‘rugged’, it’s more ‘hungover bear’.
• Flicked to MOTD2 during break in the snooker – aaaargh. Adrian Chiles has a beard. He looks like a homeless Henry VIII.
• Adrian Chiles’ beard makes him look like the violent alcoholic captain of a Victorian steamship.
• Adrian Chiles’ beard is ridiculous….is homeless? kipping on a mates couch? he looks like the leader of his own cult
• The unshaved look may be fashionable, but it still looks crap in orange on a chubby bloke
• Oh Adrian Chiles, with your big comforting face. It’s as if you have a massive battered old armchair instead of a head.
• Watching #MOTD2 wondering why Adrian Chiles has a beard? He looks like an obese bear grylls!!
• Adrian Chiles looks like he’s gone feral!
• I actually like Adrian Chiles, but he looks even more like a scrotum with that beard
• Also, #MotD2 appear to have dragged Adrian Chiles out of hibernation. WTF, dude? Don’t you wash before going on tv? Sheesh…
• I think Adrian Chiles has really got into #wallander – he’s looking more like Kurt every week
• Not at all sure about Adrian Chiles facial fuzz on #motd2 He looks like Oliver Reed in Castaway but without Amanda Donohoe in the nip.
• Adrian chiles beard on match of the day 2, what the fuck? Looks like a care bear sex offender.
• Adrian chiles’ beard makes him look like an ewok.
• Adrian chiles, sort your facial hair out, quite frankly, you look like a tit!
• Adrian Chiles’s head looks like a potato carved by an idiot.
UPDATE: Dave Quinn ups the ante:
• Adrian Chiles still has a beard. His head looks like a partly deflated volley ball that’s fallen into a Hoover bag.
UPDATE 2: Another!
• Is it just me, or is Adrian Chiles starting to look like a fat version of General Madine?
New forehead, new danger
This is my entry for the David Cameron – Airbrushed for Change website, which has been busy adapting Conservative Party print and billboard ads that showed a somewhat digitally-enhanced Cameron. The spoofs picture Call-Me-Dave Cameron next to a series of doctored slogans unlikely to feature in official Tory Party ad campaigns.
A slew of spoofs have hit the web to mock Cameron and Tory party policy, though it all seems to be in good fooling. Gordon Brown certainly seemed to think so when he unexpectedly slaughtered Dave over the poster on PMQs.
Those with a spot of historical election knowledge will spot the reference in mine to Saatchi & Saatchi’s infamous Demon Eyes ad from 1997. It seemed appropriate to adapt that original Conservative attack ad in having a pop back at Dave.
Facebook privacy settings – what to do
A few thoughts on Facebook’s new terms of service changes, which have hit the net this week.
What this change boils down to, if you’ve been living on a small island for a while or using BT internet, is that your Facebook stuff potentially defaults to public if you don’t pay attention when going through the pop-ups.
You may have noticed these “Oh hai, we’ve made some changes”-style pop-ups recently. If you weren’t paying attention and simply clicked through you may have opened up your Facebook profiles – Nazi fancy dress party photos, drunken status updates and NSFW links – to Google and co.
This, basically, means it’s all indexable by the search engines. Potentially, anyone can see what previously only your friends could see.
This is a pretty big deal, because potential employers will merrily check whatever public real estate you have on the web even though, for my money, this is highly unethical.
All of your public data can be harvested too: your geographical location, birthday (a particularly bad one to share), relationship status, work and education information…
This is all pretty reductive, and an absolute moral minefield. However, when hard clicks and hard cash come into play – the reason behind the Facebook shift – ethics tend to go out of the window.
So, is there an upside to this? Potentially, because any indexable real estate can be leveraged by the enterprising journo, PR or generic rampant self-publicist.
However, when I joined Facebook I acted in such a way that most people would when alone with their friends. I never thought it would all be publicly available, so I didn’t modify my behaviour. On other public profiles I’m aware of this and filter my public actions accordingly.
I don’t suppose there’s anything on my Facebook profile that would get me binned by an employer or associate, but why would I take the risk? And, frankly, I’m uncomfortable with anyone being able to access data I previously considered private.
Another issue, only just coming to light, is the murky issues regarding who owns all the stuff you’ve put on your Facebook page.
Facebook will say it does, or at least has some claim over it, but there’s not much set in stone to say that anyone can’t nab your Facebook pictures and blogs and use them to their own ends.
How do you fancy finding some of your photos in the Daily Mail aka the world’s worst newspaper?
So, there are two sensible alternatives. Delete your profile and start again, with a profile that is fit for public viewing. Or tell the search engine spiders to sod off.
For the sake of ease I’ve outlined how you go about doing this below.
Update your Facebook privacy settings:
1. Find ‘Settings’ at the top of your Facebook page
2. Find Privacy Settings
3. Untick ‘Allow indexing’
Done. Better safe than sorry.














Comment is free… but talk is cheap
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Regular readers – there are regular readers, right? – will know that I reserve a special scorn for The Guardian’s Comment Is Free section; a comment and opinion subdirectory that collects viewpoints from across the political spectrum.
In itself, a section like this is laudable. It exposes people to new viewpoints, attitudes and lifestyles that the print version of The Guardian does not. Its strapline is ‘Comment Is Free… but facts are sacred’ – a quote from Grauniad progenitor CP Scott.
It’s a broad church, features some fascinating articles and regularly generates some vigorous debate.
However, I feel that that concept has been somewhat bastardised to create a deliberately provocative and emptily heated section of the website, where drivel like Sarah Palin’s climate change invective is published without comment.
Another recent article on video games relating to rape was similarly witless, and pulled apart by Comment Is Free regulars. And I think that’s the point.
It’s hard not to come to the conclusion that much of Comment Is Free constitutes link- and flamebait, dog whistling, tail pulling – whatever you want to call it.
It’s like the post on a forum that exists simply to irritate, the equivalent of poking a bee’s nest and running away. In web parlance it’s known as trolling.
It exists to provoke, and provoke it does. There are regularly hundreds of well-informed, well-written and well-argued comments on Comment Is Free posts, coming from many points of view.
Thousands of words of user-generated content, lots of outraged inbound links, lots of return traffic from people keeping tabs on the latest debate.
The Guardian’s site has become a slick SEO machine, as evinced by its URL keyword stuffing and habit of publishing several permutations of the same story, and perhaps a bit too good for its own good.
It’s clever, but it’s a step too far for me. I can’t believe that a lot of Comment Is Free isn’t simply designed to rile up The Guardian’s own readership, the very people who buy the newspaper, in order to generate more copy, links and hits from them.
Is this what happens to a newspaper’s content when too much thought is given to chasing traffic and the holy grail of user-generated content? Is it OK to debase and undermine your moral weight and editorial line in search of more web traffic?
Is the trade-off worth it? Crap, often dishonest, generally lazy, frequently hysterical and badly-structured arguments and articles in exchange for a few more hits, and a bit more cash?
There are other symptoms at other papers – the Indie seems to print a diet of increasingly outlandish lists, while the Torygraph recently printed this beauty, a disingenuous piece of phony conspiracy-theory outrage about Google gaming its own algorithm.
The Telegraph article is breathtaking in its dishonesty, but The Guardian is the worst – a serial offender that sticks two fingers up to its own readership every time it wittingly publishes another bad article.
I’m all for a broad church, I’m all for challenging viewpoints, and I’m all for user interaction – but it’s come to something when the newspaper is the troll.
Written by Robin Brown
December 21, 2009 at 2:23 pm
Posted in Journalism, Media, The web
Tagged with comment is free, cp scott, sarah palin, seo, the guardian, the independent, the telegraph